Back to Top
darksilenceinsuburbia:

Benny Fountain. Studio, 2008. Oil on canvas, 85 x 74”.

darksilenceinsuburbia:

Benny Fountain. Studio, 2008. Oil on canvas, 85 x 74”.

artchipel:

François Bard - Hommage à Malévitch. Oil on canvas, 160x160 cm (2010)

artchipel:

François Bard - Hommage à Malévitch. Oil on canvas, 160x160 cm (2010)

artchipel:

François Bard (b.1959, France) 

For Bard, the simplest of all subjects, be it a shoe, a leg, a torso, a dog or a face, takes a dark and edgy turn. He manages to translate all his intimate emotion into a two dimensional oil painting; each work an endless exercise of composition, rhythm and struggle. The use of multiple layers of oil accentuates the feel and dynamic mood of all his paintings. François Bard gives a part of himself in every canvas. The horizon – the vast limiting of human experience – is fascinating to Bard. The horizon draws a line between here and not-here, day and night, good and evil, us and them. The scale and cinematic quality of his work only makes this more dramatic and stuns viewers over and over again.

Represented by Mazel Galerie @ Drawing Now 2013

[more François Bard]

blue-voids:

Marlen Dumas - Andy Warhol, See Through, 2002

blue-voids:

Marlen Dumas - Andy Warhol, See Through, 2002

(via darksilenceinsuburbia)

iheartmyart:

KwangHo Shin

likeafieldmouse:

Wang Tzu-Ting

(via mimilin)

likeafieldmouse:

Leo Caillard - Art Games (2011)

“Artists have used Apple products to create gorgeous works of art and have featured the devices themselves as pieces of sculpture. There’s even an Apple store at the Louvre museum in Paris.

But what happens when you create a museum layout taking cues from the minimalistic user interface familiar to millions of Apple customers? Caillard has done exactly that with his series of digitally enhanced photographs that re-imagine the Louvre museum.

Caillard’s images show museum patrons interacting with priceless paintings the way someone might browse through slides in a personal iTunes library on a device like an iPhone or MacBook.”

(via on-dis-play)

likeafieldmouse:

Fabienne Verdier

likeafieldmouse:

Gerhard Richter

nicoonmars:

Karel Fonteyne

nicoonmars:

Karel Fonteyne

(via mimilin)

brunometra-laurencejeanson:

sylvie

Ein Traum von Bohdan Purmoldt
by franz falckenhaus
Also

Ein Traum von Bohdan Purmoldt

by franz falckenhaus

Also

(via mirrormaskcamera)

kateoplis:

Hollis Brown Thornton

hyperallergic:

Hello! I invite you to come see my new web-project for my latest cine-poem.
The image attached is a screenshot from the website www.va-hypnotism.com. The website is a visual poem or digital collage that compliments this cine-poem. It highlights methods of control some men use to dominate and exploit women.
The website shows a digital collage of self-immolation survivors from Afghanistan surrounded by various canned meat products as search results for the google search ‘how to control women’ (screen shots) and from the youtube search ‘hypnosis women’ (screen shots), —  highlighting some of the most extreme cases of ‘ways to control women.’
The website plays off of the cine-poem which is presented in the form of an advertisement about a hypnosis product that can control women.
Thank you so much for looking!
Cristine Brache

hyperallergic:

Hello! I invite you to come see my new web-project for my latest cine-poem.

The image attached is a screenshot from the website www.va-hypnotism.com. The website is a visual poem or digital collage that compliments this cine-poem. It highlights methods of control some men use to dominate and exploit women.

The website shows a digital collage of self-immolation survivors from Afghanistan surrounded by various canned meat products as search results for the google search ‘how to control women’ (screen shots) and from the youtube search ‘hypnosis women’ (screen shots), —  highlighting some of the most extreme cases of ‘ways to control women.’

The website plays off of the cine-poem which is presented in the form of an advertisement about a hypnosis product that can control women.

Thank you so much for looking!

Cristine Brache

likeafieldmouse:

Gerhard Richter - Cell (1988) - Oil on canvas

likeafieldmouse:

Gerhard Richter - Cell (1988) - Oil on canvas

THEME BY PARTI